Tad Bisaha

A guy with 2 mislaid ears        http://vimeo.com/tadbisaha
.../...  Actuellement, Tad prépare un nouvel opus pour le printemps 2012 nommé Japan#s¥ndrome et continue sa mise en œuvre de l'espace musical de Vedersi et de Rock-Art2noise avec la plasticienne Sitan Adèle K. Son travail de composition s'élabore à partir des formes sonores du vivant articulées par le traitement numérique avec Pure data.
Artiste de l'éphémère, se reconnaissant d’aucun « courant », son imaginaire évolue entre les mouvements des signes (sensibles?) et les dynamiques du signal (numérique ?). Du flux organique et radical à la technicité absolue, face aux bruits, son geste contrasté sature les formes du silence.
Tad n’hésite pas à se qualifier « d’acteur sonore », dans son esprit, il ne s’agit pas de « jouer de la musique », mais d’incarner les silences.
.../...  Currently, Tad prepares a new opus for the spring (March 2012) named Japan#s¥ndrome and continues his implementation of the musical space of Vedersi and Rock-Art2noise with Sitan Adèle K. His work of composition elaborates from the sound forms of the alive articulated by the digital treatment with Pure data.
Artist of the mayfly , recognizing himself of no trademark, his imagination evolves between the movements of signs (sensitive?) and the dynamics of the sign (digital?). From the organic and radical flux to absolute technical nature, faced with noise, his contrasting gesture saturates the silence forms.
Tad does not hesitate to qualify himself of « sound actor », in his mind, it is not a question « of playing music », but to embody the silences.



No language
Production country: 
Running time (In minutes): 
Hybrid art
Live art
Student artwork: 
Windshield texture
Sitan Adèle K, Tad Bisaha
Sitan Adèle K, Tad Bisaha
sound system 2.2 or 4.2
Artwork description: 
On the borders between sound and visual installation, action painting and mixed music, Rock-Art2noise convenes the transdisciplinary by transforming the pictorial gesture into a sound and musical flow. The artist paints on a windscreen placing horizontally (her canvas). The glass receives the visual 'traces' and transmits in Pure Data their sound phenomenon (stains), dedicated to all the possible declenasions of the digital audio signal processing. This work of ephemeral composition tries to develop a musical form from a non-instrumental gesture executed and filtered in real-time.
Fee + Travel & accommodation for the 2 persons
We bring: 1 X-Stand, 1 windshield, painting and attachments, light (headlights + transformers), one 2 twin-head transducer K&K big twin, 1 macbookpro with Pure data, 1 RME Fireface 800 soundcard. We need : 1 available outside or internal playground at least 24 hours before public meeting. If the space is  outside, it is imperative to avoid any manner of motorized circulation or any noise disturbances of a workshop, a plant or a construction site. A space of 4,2 m for the painter. 1 table or other for the musician (inevitably covered if outside) 2 + 1  electrical plugs on an independent phase for light (1) and sound (2)  each of 3,5 Amps of 230 ~Volts. 1 water provision (washbowl or other) for the painter. A form of professional communication (media  and  a network). A provided audience would be appreciate.
Already selected in a Festival?: 
Festival selections: 

Pure data Convention Weima Berlin 2011 / http://www.uni-weimar.de/medien/wiki/PDCON:Start

Plattform: #9.09 Shedhalle Tübingen 2011 / http://www.plattform-nobudget.de/

Awards received: 
<span class="inline inline-left"><img src="/files/images/Tubingen_Sitan__Tad.preview.jpg" class="image image-preview" height="348" width="520" /></span>
Sales/distribution name: 
Tad Bisaha


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